Intervencions de conservació i restauració

Image galleries

Image gallery of how the dome was preserved and restored. It was part of the full-scale model of the "Ictineu II" submarine, designed by Narcís Monturiol in 1864 and built in 1993 by the company Fair Play. Year 2025.

  • Image of the dome before the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Image of the dome before the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Image of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Image of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Interior view of the dome before the restoration work. © Photograph Centre de Restauració de Béns Mobles de Catalunya.
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    Interior view of the dome before the restoration work. © Photograph Centre de Restauració de Béns Mobles de Catalunya.
  • Interior view of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Interior view of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Disassembling the various components of the dome. © Photograph Jesús Zornoza Esteban.
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    Disassembling the various components of the dome. © Photograph Jesús Zornoza Esteban.
  • Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
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    Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
  • Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
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    Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
  • Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
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    Consolidating the dome structure. © Photograph Jesús Zornoza Esteban.
  • A porthole, once the metal cleaning process was completed. © Photograph Jesús Zornoza Esteban.
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    A porthole, once the metal cleaning process was completed. © Photograph Jesús Zornoza Esteban.
  • Assembling the portholes on the dome. © Photograph Jesús Zornoza Esteban.
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    Assembling the portholes on the dome. © Photograph Jesús Zornoza Esteban.
  • Final touch-up phase. © Photograph Jesús Zornoza Esteban.
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    Final touch-up phase. © Photograph Jesús Zornoza Esteban.
  • Upper view of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Upper view of the dome after the restoration work. © Photograph CRBMC Centre de Restauració de Béns Mobles de Catalunya.

Image gallery documenting the preventative conservation work on the painting “Figura prop de la finestra”, 1888, by Ramon Casas. Year 2024.

  • Reference image of the painting in its frame. © Photography Nadir and Viviana López Novell.
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    Reference image of the painting in its frame. © Photography Nadir and Viviana López Novell.
  • Process of photographing the painting prior to the organoleptic examination. © Photography Nadir and Viviana López Novell.
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    Process of photographing the painting prior to the organoleptic examination. © Photography Nadir and Viviana López Novell.
  • Process of inspection process with different lights. © Photography Nadir and Viviana López Novell.
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    Process of inspection process with different lights. © Photography Nadir and Viviana López Novell.
  • Process of inspecting and superficially cleaning the painting. © Photography Nadir and Viviana López Novell.
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    Process of inspecting and superficially cleaning the painting. © Photography Nadir and Viviana López Novell.
  • Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
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    Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
  • Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
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    Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
  • Close-up image of the reverse side of the canvas, showing the stamp “TEIXIDOR REGOMIR -3 BARCELONA” belonging to the “Fortuny” fine arts establishment, dated 1874. © Photography Nadir and Viviana López Novell.
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    The stamp “TEIXIDOR REGOMIR -3 BARCELONA” belonging to the “Fortuny” fine arts establishment (1874). © Photography Nadir and Viviana López Novell.
  • Close-up image of the sampling process to analyse the possible presence of microorganisms on the painting. © Photography Nadir and Viviana López Novell.
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    Image of the sampling process to analyse the possible presence of microorganisms on the painting. © Photography Nadir and Viviana López Novell.

Image gallery documenting the preventative conservation work on the painting “Pescadors treballant a la llum de la lluna”, 1900, by Segundo Matilla. Year 2024.

  • Unpacking process prior to the organoleptic examination. © Photography Nadir and Viviana López Novell.
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    Unpacking process prior to the organoleptic examination. © Photography Nadir and Viviana López Novell.
  • Image of the front of the painting. © Photography Nadir and Viviana López Novell.
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    Image of the front of the painting. © Photography Nadir and Viviana López Novell.
  • Image of the back of the painting. © Photography Nadir and Viviana López Novell.
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    Image of the back of the painting. © Photography Nadir and Viviana López Novell.
  • Image of the painting inside a watertight chamber, where the preventive conservation treatment will be carried out. © Photography Nadir and Viviana López Novell.
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    The painting inside a watertight chamber, where the preventive conservation treatment will be carried out. © Photography Nadir and Viviana López Novell.
  • Process of inspecting the painting with diferent lights. © Photography Nadir and Viviana López Novell.
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    Process of inspecting the painting with diferent lights. © Photography Nadir and Viviana López Novell.
  • Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
    Caption
    Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
  • Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
    Caption
    Process of superficially cleaning the painting with a brush and HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
  • Image of the back of the painting. © Photography Nadir and Viviana López Novell.
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    Image of the back of the painting. © Photography Nadir and Viviana López Novell.
  • Process of superficially cleaning the painting with a HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
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    Process of superficially cleaning the painting with a HEPA filter vacuum cleaner. © Photography Nadir and Viviana López Novell.
  • Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
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    Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
  • Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
    Caption
    Process of preventive treatment to disinfect the painting. © Photography Nadir and Viviana López Novell.
  • Close-up image of the sampling process to analyse the possible presence of microorganisms on the painting. © Photography Nadir and Viviana López Novell.
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    Image of the sampling process to analyse the possible presence of microorganisms on the painting. © Photography Nadir and Viviana López Novell.

Image gallery of the conservation process - restoration of the clock mechanism built by Blasco Manufacturas de Relojes Públicos, SL (1921 - 1960) and installed in the Torre del Rellotge in the Port of Barcelona. Year 2022.

  • Image of the clock before the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Image of the clock before the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Close-up of the clock face before the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Close-up of the clock face before the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Process of conserving and restoring the clock mechanism. © Photography Ramón Maroto i Pol Camps.
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    Process of conserving and restoring the clock mechanism. © Photography Ramón Maroto i Pol Camps.
  • Process of conserving and restoring the clock mechanism. © Photography Ramón Maroto i Pol Camps.
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    Process of conserving and restoring the clock mechanism. © Photography Ramón Maroto i Pol Camps.
  • Close-up of the clock mechanism before the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Close-up of the clock mechanism before the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Close-up of the clock mechanism before the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Close-up of the clock mechanism before the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Process of cleaning the clock mechanism. © Photography Ramón Maroto i Pol Camps.
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    Process of cleaning the clock mechanism. © Photography Ramón Maroto i Pol Camps.
  • Process of cleaning the seat-board of the clock mechanism. © Photography Ramón Maroto i Pol Camps.
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    Process of cleaning the seat-board of the clock mechanism. © Photography Ramón Maroto i Pol Camps.
  • Overhead view of the clock mechanism after the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Overhead view of the clock mechanism after the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Close-up of the clock mechanism after the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Close-up of the clock mechanism after the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Image of the clock after the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Image of the clock after the restoration work. © Photography Ramón Maroto i Pol Camps.
  • Image of the clock after the restoration work. © Photography Ramón Maroto i Pol Camps.
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    Image of the clock after the restoration work. © Photography Ramón Maroto i Pol Camps.

Image gallery documenting the conservation and restoration of a mooring bollard from the first half of the twentieth century. Year 2022.

  • Image of the bollard before the restoration work. © Photography Nieves Marí and Carolina Jorcano.
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    Image of the bollard before the restoration work. © Photography Nieves Marí and Carolina Jorcano.
  • Image of the bollard before the restoration work. © Photography Nieves Marí and Carolina Jorcano.
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    Image of the bollard before the restoration work. © Photography Nieves Marí and Carolina Jorcano.
  • Process of removing the concrete from the bollard. © Photography Nieves Marí and Carolina Jorcano.
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    Process of removing the concrete from the bollard. © Photography Nieves Marí and Carolina Jorcano.
  • Mechanical cleaning process. © Photography Nieves Marí and Carolina Jorcano.
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    Mechanical cleaning process. © Photography Nieves Marí and Carolina Jorcano.
  • Mechanical cleaning process. © Photography Nieves Marí and Carolina Jorcano.
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    Mechanical cleaning process. © Photography Nieves Marí and Carolina Jorcano.
  • Consolidation process. © Photography Nieves Marí and Carolina Jorcano.
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    Consolidation process. © Photography Nieves Marí and Carolina Jorcano.
  • Consolidation process. © Photography Nieves Marí and Carolina Jorcano.
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    Consolidation process. © Photography Nieves Marí and Carolina Jorcano.
  • Process of applying a protective layer. © Fotografia Nieves Marí i Carolina Jorcano.
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    Process of applying a protective layer. © Fotografia Nieves Marí i Carolina Jorcano.
  • Process of applying a protective layer. © Photography Nieves Marí and Carolina Jorcano.
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    Process of applying a protective layer. © Photography Nieves Marí and Carolina Jorcano.
  • Colour restoration process. © Photography Nieves Marí and Carolina Jorcano.
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    Colour restoration process. © Photography Nieves Marí and Carolina Jorcano.
  • Image of the bollard after restoration. © Photography Nieves Marí and Carolina Jorcano.
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    Image of the bollard after restoration. © Photography Nieves Marí and Carolina Jorcano.
  • Image of the bollard after restoration. © Photography Nieves Marí and Carolina Jorcano.
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    Image of the bollard after restoration. © Photography Nieves Marí and Carolina Jorcano.

Image gallery documenting the conservation and restoration of the painting “El port de Barcelona”, 1887, by Eliseu Meifrèn i Roig. Year 2011.

  • Process of analysing the painting in the X-ray laboratory at Centre de Restauració de Béns Mobles de Catalunya. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Process of analysing the painting in the X-ray laboratory at CRBMC. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • X-ray image of the work, revealing an underlying drawing of a listing ship, not visible to the naked eye. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    X-ray image of the work, revealing an underlying drawing of a listing ship, not visible to the naked eye. © Photography CRBMC.
  • Process of conserving and restoring the work in the painting workshop at Centre de Restauració de Béns Mobles de Catalunya. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Process of conserving and restoring the work in the painting workshop. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Close-up image of the painting during the cleaning process. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Close-up image of the painting during the cleaning process. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Close-up image of the painting during the removal of deteriorated varnish. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Close-up image of the painting during the removal of deteriorated varnish. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Close-up image of the painting during the process of fixing the pictorial layer with a hot spatula. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Close-up image of the painting during the process of fixing the pictorial layer with a hot spatula. © Photography CRBMC.
  • Infrared reflectography image of the painting, showing different materials (oxidised varnishes, reintegrations, etc.). © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Infrared reflectography image of the painting, showing different materials (oxidised varnishes, reintegrations, etc.). © Photography CRBMC.
  • Process of conserving and restoring the reverse side of the painting. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Process of conserving and restoring the reverse side of the painting. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
  • Final image after the work on the painting. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.
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    Final image after the work on the painting. © Photography CRBMC Centre de Restauració de Béns Mobles de Catalunya.